The Bride Sealed Inside the Keepsake
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“I need the bathroom,” I murmured, barely able to hear myself over the pounding in my chest.
“First, let me get you out of that dress,” Sarah said, tugging at the zipper. Her fingers scraped my back.
“No!” I jerked away, and the word burst from me louder than I meant it to.
Sarah and Chloe went still. Their startled faces made me realize how rarely I had ever snapped at either of them.
I dragged in a breath that shook all the way down. “I’m sorry. I can’t do this with everyone watching. Let me take it off in there.”
“Just two minutes alone,” I pleaded. “Please.”
Chloe’s forehead creased with worry. After a pause, she passed me the club soda, her eyes flicking toward the clock.
“All right,” she said. “Two minutes, Maya. We’re running out of time.”
I carried the bottle across the suite and entered the broad bathroom, where pale marble covered the floor and walls.
The door shut behind me. I turned the bolt, then pressed my palm against it to make sure it had caught.
A heavy quiet gathered around me. Above the vanity, the bulbs gave off a faint electrical hum.
I leaned against the door until my legs folded. The tile chilled my skin as I drew my knees close.
I was trembling so hard my teeth clicked together. For a few seconds, I could do nothing but shake.
Then I remembered the locket. My hand slipped into the gown’s pocket and closed around the small silver shape.
Mud had crusted its surface, though a patch near the edge was clean where my thumb had rubbed it.
I turned on the faucet and held the locket beneath the warm flow. Dirt loosened, sliding into the drain in brown ribbons.
As the metal cleared, fine vines emerged from beneath the grime, their curling lines worked into the silver.
I found the clasp with my thumbnail and pressed. It gave way with a tiny snap.
Inside were two oval portraits. I stared first at the man on the left, posed in a dark tuxedo.
Julian looked straight out of the photograph, smiling as if the years had never touched him.
The portrait beside his showed a woman I had never met. Her dark waves, pale complexion, and features were unsettlingly familiar.
At a glance, I could have been looking at myself in a different light. My fingers tightened around the locket.
I turned it over and tilted the smooth back toward the vanity. A few faint marks caught the brightness.
The lettering was so small I had to wipe it with a towel before I could make it out.
“Clara & Julian. October 15, 2021.”
My insides seemed to drop away. I read the inscription again, hoping that the words would rearrange themselves.
They didn’t. The date fell exactly three years before the day of my own wedding.
Julian had told me, again and again, that he had never been married. I had believed him.
He’d said his last serious relationship ended years ago, when the woman he loved went to London for work.
He had also claimed marriage meant nothing to him until I came along. Now every assurance sounded rehearsed.
I looked back at the bride’s portrait. Clara’s mouth held a strained little smile, but her eyes seemed frightened.
Then I noticed her gown. It was an antique design, all delicate lace, long sleeves, and a high collar.
The dress in the photograph was the very same vintage gown I wore. The recognition made my throat seize.
I turned toward the enormous mirror. There I stood in the lace, a stranger’s likeness stretched over my own.
Julian had chosen it for me months earlier, presenting it as a discovery from a Paris vintage shop.
He’d said he spent a fortune having the gown altered until it fitted me perfectly. His story had sounded romantic then.
Now I could barely look at the reflection. I was dressed as the woman in the locket, not merely wearing something similar.
My stomach lurched. I caught the marble sink with both hands and fought the sick rise in my throat.
He had put a dead woman’s dress on me. He had made the two of us look alike.
The words Barnaby had spoken crowded into my thoughts, impossible and clear: Julian had buried his first bride behind the church.
I abandoned the sink and searched through the small emergency kit on the counter until I found my phone.
My damp hands slid over the screen. I tried twice before I managed to unlock it and open the browser.
The country club’s reception was notoriously unreliable. A single bar appeared beside the 5G symbol, and I held my breath.
I entered a search for Clara, Julian, and a bride who had gone missing at her wedding in 2021.
The progress line crept forward. I listened to my heartbeat battering at my ribs and willed the page to load.
At last, an old local newspaper story appeared, dated two days after the disappearance. The headline announced a vanished bride.
A photograph beneath it showed Clara in ordinary clothes, smiling brightly. It was the same woman from Julian’s locket.
I skimmed the report. Clara Vance, twenty-eight, had disappeared hours before she was due to marry at St. Jude’s in 2021.
Her fiancé, the article said, was Julian Croft, a well-known local architect. He had notified police that she was missing.
According to the story, Julian said Clara had vanished from the bridal suite before she could walk down the aisle.
Investigators found no evidence of a struggle. Her purse and phone had been left behind in the room.
I stopped breathing for a moment. Julian had reported Clara missing while knowing exactly where she was.
The bridal suite had been his stage, the report his performance. He had presented himself as the abandoned groom.
But Clara had not escaped. She had not simply disappeared. Julian had buried her nearby, behind the church.
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