The Brand Wanted Lucy in Front
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“Thanks for thinking of us, David,” Rachel said, calm as she’d been when the call began. “But the girls won’t do paid product placements for now. We’re changing how we handle the channel. If they bake another time, they’ll get out the bowls already in our cupboard.”
Silence stretched through the speaker. Then David came back, sounding less pleased. “Rachel, you’re turning down a serious payday. Being real is what people want at the moment. We should make the most of it before they find something else to watch.”
“Being real isn’t a marketing hook,” Rachel said, still composed. “And Lucy and Tessa aren’t some passing craze. We’ll end our agreement with the agency when this month is over.”
She disconnected before David could make another pitch.
Lucy raised her head from her history book. Her eyebrows had climbed almost to her hairline. “Wait. Did you just fire the person who handles our deals?”
“That’s right,” Rachel said, dropping the phone onto the sofa. “He’s a complete idiot.”
Ending the agency relationship also meant facing what our money looked like without expensive sponsorships arriving all the time. The big house in the suburbs cost more than we could keep paying for. For a few weeks, we left the subject alone and let the tension ease before Rachel finally asked us to come sit at the dining table one evening.
She didn’t bring a proposal for a video or paperwork to sign. Instead, she held a sheet from a real estate website, printed in black and white.
“I’ve decided what we’re going to do,” she said, sliding it across to us. “I’m putting the house on the market this Friday.”
I studied the listing, then glanced up at the tall ceiling and the built-in shelves we’d barely used. “You’re certain? Maybe we could take a few smaller deals, or figure out some other—”
“No,” Rachel said, gently stopping me. “This place was purchased to serve as a set. I’m done pretending I want to live on one. I won’t make you work so we can hang on to a kitchen that scares you both.”
She pulled another page from beneath the listing. It showed a modest house with brick walls, a lawn that needed mowing, and a kitchen whose last renovation looked as if it had happened sometime in the nineties.
“The schools are good,” Rachel said. “There are three bedrooms, and the loan payment is about a third of ours now. Selling here should let us clear the debt, pay for the other house, and rebuild your college accounts. The channel can be something you do for fun. You can make whatever you want—or leave it alone.”
Lucy ran one finger along the edge of the house’s photograph. “Is the lighting any good?”
Rachel smiled, and this time there was nothing tight or guarded in it. “I honestly couldn’t tell you.”
“Then it sounds perfect,” Lucy said.
We changed houses two months later, just before the new year began.
Taking apart our beige home felt like pulling down a display at a museum. We wrapped the decorative bowls and the immaculate cushions before packing them away. The tall ring light was the last thing to go. Rachel carried it outside, stuck a note reading FREE to it, and left it by the curb. Someone had taken it before supper.
The new place didn’t feel anything like the old one. Our kitchen had barely enough room for all three of us. Its cabinets were dark wood, old-fashioned and scuffed, and the counters were Formica rather than stone.
We were fond of it almost immediately.
We kept making videos, but now we filmed only on days when we actually wanted to. No agency was choosing our projects. We said yes to a handful of small promotions for things we liked, and Rachel negotiated every agreement herself. She demanded that we have real say over what went into a video, and that either sister could veto anything.
We quit opening the channel’s statistics page. When a post did well, we enjoyed it; when hardly anyone watched, we let it go. Nobody held up our numbers as a verdict. The fear that another, more popular version of us would take our place began to lose its grip.
One rainy Tuesday in early March, Lucy sat at the battered kitchen table, attempting a science assignment with glue and far too much dried pasta. I stood by the stove, stirring macaroni and cheese before it could stick.
Rachel came in from the hall in sweatpants and a faded college shirt. She took a bottle of water from the refrigerator, then rested against the counter to watch us.
There wasn’t a camera on a tripod. No lamps had been arranged to brighten our faces. Nothing played in the background to make the room seem cozy.
“It keeps falling apart,” Lucy said, lifting a bridge made from rigatoni. “Tessa, can you fix it?”
“Not while I’m stirring,” I told her, keeping my eyes on the pot. “If I leave it alone, it’ll burn. This is serious science.”
She frowned at the drooping pasta structure. “More complicated than building a bridge, you think?”
“By a lot,” I replied.
Rachel gave a soft laugh as she drank. She didn’t tell us to move closer to the window, and she didn’t ask us to repeat our lines for a recording. She simply stayed there, comfortable and quiet, the worry on her face finally fading.
I tipped the cheese sauce into the pot. Lucy went on grumbling about her assignment, and the ordinary racket of home filled the kitchen around us.
That evening, I understood that no one was looking in at us. We didn’t need to show anyone we were happy, or prove that we deserved to be there.
We ate together in our small, crowded kitchen, with no lens pointed our way and no pressure to turn the moment into anything more. It was only an ordinary evening with my family—and it belonged to us.
The end.
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